volta


Medúlla


the inner or deep part of an animal or plant structure

01_________________________Pleasure Is All Mine
02_________________________Show Me Forgiveness
03_________________________Where Is The Line
04_________________________Vökuró
05_________________________Öll Birtan
06_________________________Who Is It
07_________________________Submarine
08_________________________Desired Constellation
09_________________________Oceania
10_________________________Sonnets / Unrealities XI
11_________________________Ancestors
12_________________________Mouth's Cradle
13_________________________Miðvikudags
14_________________________Triumph Of A Heart
15_________(japan)_________Komið
release
UK+INTL 30 August 2004
| USA 31 August 2004

formats
TPLP358CD Standard CD audio only in standard jewel case
TPLP358CDL Limited SACD hybrid format in digi-pack with poster
TPLP358 Double vinyl heavy weight gatefold format
TPLP358DVD DVDA + 'Making of' 45min documentary in super jewel case
TPLP358DVDA Stand alone DVDA format in DVDA box (US case)
TPLP358SACD Stand alone SACD format in SACD case
cat no TBA DVD 'Making of' 45min documentary only in DVD case

artwork
M/M (Paris)
(aka Mathias Augustyniak and Michaël Amzalag) and
Inez/Vinoodh
(aka Inez van Lamsweerde & Vinoodh Matadin) had the
photoshoot in London on june 28th 2004. HairSculpture by Shoplifter.
.RECORDED in these studios
.IS
- Greenhouse
.US - The Magic Shop & Looking Glass
.UK - Olympic Studios & Real World
.BR - Estúdio Ilha dos Sapos
.ES - La Hoyita Studios
 

"Many of the artists at Björk's level of fame often suffer from musical dictatorship from their major label boss, and as a result the end product you hear is not their music at all. But not with Björk!

She is very much in charge of the music you hear, and I am so envious of her position: she has earnt herself the resources, the team and the musicians to make exactly the music she wants, at the moment she comes up with it. For me that would be a dream come true."

(Shlomo in bjork.com interview, july 2004)
 
 
First of all, I am happy that I had the opportunity to work with Bjork. I don't know how she found out about me. She sent me an e-mail saying, "Why don't you join me in working on my new album?" I said yes, lol.

We recorded at a studio in New York. She wanted the album to consist only of accapella work. She worked with other musicians besides myself as her support accapellers. I collaborated on 6 songs. I mainly did the drums (beatbox) and bass parts in the songs. Some were slow tempo with a nostalgic feel, others had a disco and experimental feel.
  Before this recording I was thinking that Bjork needed my voice to sound simple and gentle, but she was happy when I sang aggressive and intricate rhythms, lol.
She especially liked when I sangs with many triplet tom-tom drum sounds in the disco sounding songs. I think it worked really well. I can't wait how these voices(me, other acapella musicians, and bjork) are going to mix and work together. I'm excited to hear how it will sound!

P.S. They called me the "ONE TAKE MAN", because I recorded almost everything in 1 take, lol.
(Dokaka in bjork.com interview, july 2004)


Q+A 2004-08-03 it really felt great to work with people who sing . to watch them go through the usual vocalist things like battle dry vocal chords , be vary of a.c. and such , and how private it is to sing some of your first takes of songs . how sensitive it is what time of the day you sing and all sort of stuff i have usually secretly carried by myself . it felt totally different from anything i have ever done . more natural and effortless .

i was having problems with finding a title and the furthest i got was ink . i wanted it to be like the core of us visceral pagan stile , like the blood in us but even deeper and darker . then my friend gabríela came up with medúlla which seemed perfect . Q+A 2004-07-16






I was going to call the album ‘Ink’, because I wanted it to be like that black, 5,000 year-old blood that’s inside us all; an ancient spirit that’s passionate and dark, a spirit that survives. Something in me wanted to leave out civilisation, to rewind to before it all happened and work out, ‘Where is the human soul? What if we do without civilisation and religion and patriotism, without the stuff that has gone wrong?’ When I first moved to New York there was room for immigrants and eccentrics and whoever, then suddenly it became the most scarily patriotic place on earth.

Then I got drunk – surprise!- with my artist friend Gabriela and she came up with the title Medúlla. It basically means ‘marrow’ in medical language, in Latin. Not just you’re bone marrow, but marrow in the kidneys and marrow in your hair, too. It’s about getting to the essence of something. And with this album being all vocals, that made sense. Medúlla Biography
 
LAKESIDE
the first peek at the album and its noises filmed by meester fly.
PALMSTROKE
a second, shaky glance at the music and noises.
ORGANDONOR
the third look, spying on crying organs.
POPPINGCORN
the fourth installation, and some whispers about what it is about.
Even though I write "classical" music, I've been a huge fan of Björk for years. When I first heard Vespertine, it completely changed the way I see solo voices or instruments inter-acting with an ensemble– I was obsessed with the fluidity of the voice versus the intricate textures in the background.

I wrote a series of pieces that incorporate this idea, and one in particular called Clear Music which uses a very Vespertine-like harp and celeste to accompany a solo cello.

(pianist Nico Muhly, bjork.com interview 06/04)
 
 
Have you learned anything from working with Björk?

I most definitely have. She is probably the most inspiring person I've met in my life. And doing my first projects with someone so generous and courageous as she is has without a doubt inspired me to allow myself to be myself and do what I want instead of trying to fit into some established frame or make the film I think people want to see.
It's also probably quite unusual to get as much freedom as I did, nobody ever gave me any instruction or a frame to work within. She's very good at that, at giving people she works with their own space to be what they are.
(documentary filmer Ragga, bjork.com interview 08/04)
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