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HIDDEN PLACE |
PAGAN POETRY |
COCOON |
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Hidden pLace is
the first single, released in august 2001. The video was
directed by Inez & Vinoodh + M/M Paris. [more] |
Pagan
Poetry is the second single, released in
november 2001. The music video
was directed by Nick Knight. [more] |
Cocoon
is the third single, released in march 2002. The music video was
directed by Eiko Ishioka. |
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:: tour schedule
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:: introduction
vespertine
is the title of björk's 4th solo album. It is scheduled for
release august 27 of 2001. when the autumn leaves started to
fall in Iceland, björk summoned jake
davies and marius
de vries to
Iceland for a writing session. more tracks were laid down, in
addition to the nine already mixed. björk set up camp in new
york during summer and started work there with harp player zeena
parkins. the
location was a loft in new york, which was transformed into a working
station. much was composed, crafted and edited. the loft has now
been vacated but we are left with this
new
york experience.
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:: cover
vespertine |
photo by inez van lamsweerde & vinoodh matadin |
graphics by m/m (paris)
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the swan dress was designed by marjan pejoski |
cover shot in los angeles, USA, in april 2001. |
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:: cover
hidden place | photo by inez
van lamsweerde & vinoodh matadin |
graphics by m/m (paris) |
video was shot in London, UK, in february 2001. watch the video in
our
video
gallery. (QT5 req.)
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:: cover
pagan poetry
| photo
by nick knight |
art direction by peter saville |
graphic art by paul hetherington + howard wakefield |
design by marcus werner hed | logotype
by paul barnes watch the video in our
video
gallery. (QT5 req.) |
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:: cover
cocoon | photo is a still from
the music video by Eiko Ishioka |
graphic design by @radical.media by Rafael Esquer |
cg artist Tim Wilder | the
video was shot in London, UK, in february 2001. watch the video in
our
video
gallery. (QT5 req.)
→
visit our
cocoon special |
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:: the
second music video, pagan poetry, was
directed by Nick Knight in London UK, june 2001. Nick has worked
with Björk before; he did the cover photo for Homogenic. This is
his first time directing a music video, and it turned out an
hyper-intimate visual experience of pearls, piercing and passion -
truly a celebration of skin. In fact, it is so intimate and so much
skin that a censored version had to be made... |
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behind
the scenes at the vespertine cover shoot...
björk lies down on the
patterned ground next to a swimmingpool. |
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:: the third music video, cocoon,
was directed by Eiko Ishioka in New York USA, may 2001. Eiko is also
famous for her books and her amazing scenography and costume work
in many films, such as bram stoker's 'dracula', and 'the cell'. |
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:: articles
an exclusive
bjork.com interview with
ENSEMBLE
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an exclusive
bjork.com interview with
VALGEIR
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:: There's no place like
home, but if you're an international pop star you've got to find it in the
details. Settled in a royal blue chair that could have been custom matched to
her smock-like dress and peacock eye makeup, Björk ponders what she calls the
"curious mantra" of daily life, and shares a few key ingredients for
her home brew: "You open your laptop, you get your emails, you get friends
around and cook them a meal. And especially if you make music in the room with
your friends, that sort of becomes home." [full]
:: Mr. Herbert listened to an excerpt
from the "Pagan Poetry" remix on Mr.
Tanaka's site. In the album version, near the song's end, Bjork chants the
phrase "I love him" with raw intimacy. Here the passage has been moved
to the song's start, and the naked vocal line has been expanded with a
harmonizing program. Mr. Herbert said he preferred to respect such a pure
expression of emotion. [full]
:: I guess 'Hidden
Place' is sort of about, um, how two people can create a paradise just by
uniting. You've got an emotional location that's mutual. And it's unbreakable. /
Björkabout Hidden Place at CDNow [full]
::
Brandwein insists that while 'Vespertine' is a very
different album for Björk, it's one that her core audience "will love and
be excited about." That excitement is spreading across the Internet,
something the artist is comfortable with it, Brandwein says. "Björk has no
fear of the Internet -- she utilizes it." / Billboard [full]
::
'Vespertine' is a strange one, because it's so much
about that mood you create in your house with your friends and loved ones. It's
about hibernation, making hot chocolate, and reading your favorite book. It's
not easy to capture this in a big room, which is why I'm looking to play
smaller, more intimate venues."
/ Billboard [full]
:: Vespertine
was very influenced by my laptop, and about people being obsessed with Napster
and saying it compromised sound and me thinking that was rubbish. Alot of the
beats were influenced by me thinking someone could download it and it would
sound great. / Björk in [Fader]
june 2001
::
Vespertine
is like... those days when it's snowing outside, and you're inside with a cup of
cocoa and everything's very magical. You're euphoric, but you don't speak for
days 'cause you don't want to. / Björk at
mtv.com [full]
::
Björk loves
working on the computer herself because ultimately she has such great vision in
her head that to translate through anyone else, she's compromised it slightly
because she's had to rely on language / Jake Davies
at Digidesign [full]
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Much of Vespertine,
which takes its name from vespers, evening prayers, is inspired by chamber
music. It's the kind of music, Björk says, that ladies would play in drawing
rooms for guests. /
Björk in Nylon Mag [full]
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:: gig
reviews
see the
gigography!
:: album
reviews
interview music magazine
vespertine
review
absorb.org
vespertine
review
7 magazine
vespertine
review
wire
vespertine
review
rollingstone
vespertine
review
amazon
vespertine
review
entertainment weekly
vespertine
review
slant magazine
vespertine
review
l.a. times
vespertine
review
the guardian
vespertine
review
the sunday times
vespertine
review
dotmusic
vespertine
review
boston globe
vespertine
review
village voice
vespertine
review
washington post
vespertine
review
pitchfork
vespertine
review
the observer
vespertine
review
cmj
vespertine
review
allmusic
vespertine
review
:: single
reviews
NME.com
hidden
place review
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:: collaborator
links
eiko ishioka - video director
matmos - programming + more
zeena parkins - harp
vince mendoza - orchestration, arrangements
harmony korine - lyrics
valgeir sigurdsson - engineering, programming
bogdan raczynski - music collaboration
m/m
paris
- album artwork
tagaq -
singer on the tour
matthew
herbert - remixer
nick knight - music video
director
:: fansite
links
tiny spark's
vespertine
etoile-polaire's
vespertine
private branch's
vespertine
jun kit's
vespertine
:: other
links
elektra's
vespertine
syndicate
official russian
björk
page
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